Uncharted Territories · Ideas & Institutions
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The Romans had 3 architecture problems they wanted to solve: bigger indoor spaces, building faster and cheaper, and more indoor comfort. How did they solve them? ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ | | ---|---|--- | | | Forwarded this email? Subscribe here for more --- --- # How Roman Technology Drove Its Architecture | | Tomas Pueyo --- | Mar 17 --- | --- --- | | | --- | | --- | | --- | | --- | | READ IN APP --- Geography has dramatically influenced architecture, but another force might have been even more important: technology. How has technology shaped architecture and our living spaces? We're going to answer this question today through a trip to the Roman Empire: What problems did the Romans try to solve? How did that influence the architecture that we know today? In the next few articles, we're going to explore successive architectural styles: Byzantine, Islamic, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Historicist, Revival, Modernist, Contemporary… In the process, we're going to see how geography, culture, and technology have interacted to drive architecture. _Subscribe to get them:_ Upgrade to paid # The Architectural Problems the Romans Inherited The Romans learned most of their architecture from the Greeks, and some from the local Etruscans. Here, the Hera II Paestum in southern Italy: _This would have had a roof, and the inner colonnade would have been enclosed. But it 's a Greek temple in southern Italy, near Naples, because the Greeks colonized this area._ But this type of structure has two big problems that didn't fit Roman goals: 1. The indoor part is too small to hold an event. The system of vertical columns with horizontal lintels was too heavy to allow for big indoor spaces. _The weight of the lintel bends it downwards. Columns must be numerous to avoid collapse. Technically, stone is good at compression, so the columns do the heavy lifting and are stable. But stone is really weak in tension, so it bends under its own weight._ 1. They're expensive to make. If you want to build many civic buildings (temples, forum, baths, basilica, market, theater, bridges, aqueducts, walls, gates…) across many cities in the empire, it's hard to replicate this design: It requires too much stone that might be scarce, or skilled craftsmen to cut, carry, and assemble the stone. There's a third problem that Romans wanted to solve: comfort in private homes. They wanted the entire city, including many residences, to have running water, drainage, and heat. # The Key Roman Technologies for Architecture Romans adopted a few technologies that allowed them to increase indoor spaces. One is the voussoir arch. ### Voussoir _Corbeled arches already existed, and they were a bit better than the post and lintel approach at spanning wide openings without a single heavy beam. But the voussoir arch was even better, allowing for bigger arches._ The voussoir arch transfers weight sideways, preventing collapse and allowing a much wider space between columns. | | ---|---|--- _One can say that the voussoir arch converts tension into compression. The voussoirs (wedge-shaped stones) are compressed against each other, transferring their weight to the columns._ The Romans didn't invent either of these arches; they took them from the Etruscans, who probably took them from around the Mediterranean (Mesopotamia and Egypt). But the Romans perfected them. _Babylonians already had voussoir arches, but they hadn 't used them to their full potential. Etruscans did._ ### Barrel & Groin Vaults If you take an arch and extend it along a corridor, you get the barrel vault. Again, this already existed around the Mediterranean, but not extensively, and the barrel vault is quite limited to single corridors anyway. The Romans learned to combine two of these into _groin vaults_. _Source_ You can see the type of result that arises from this as you scale it: _You can clearly see these early irregular groin vaults. Suddenly, huge interior spaces are possible. Markets of Trajan, Rome, c. 106 -12 C.E. Photo: Steven Zucker, CC BY-NC-SA 2.0_ _Basilica of Maxentius_ ### Dome Instead of projecting the arch in a single direction, you can rotate it in a circle and create a dome. | | ---|---|--- _The Romans are not without their cosmological influence. There are five horizontal rows of coffers. These represent the five planets known to the Romans at the time (Mercury, Venus, Earth, Mars and Jupiter). There are 28 vertical columns of coffers, days equal to a lunar cycle, representing the moon. The sun, the moon, and the five planets are all represented as a smaller iteration of the universe, a microcosm._ Rome's Pantheon, with a span of over 43m, was the largest dome in the world for 1,300 years! And you can see the transition from Greek to Roman style when you view it from outside: _Remember that the Greeks had built their temples to be seen primarily from the outside. The Romans kept that spirit by conserving the front colonnade, frieze, and pediment. But they replaced the temple 's back with the huge dome, forming a shape that, with historical perspective, is kind of awkward._ Imagine that you come from a Greek world where virtually all social life happened outdoors, and suddenly you can create these huge indoor spaces that had never existed before. Big events and social life can now happen indoors! ### Cement Notice, though, that neither the dome nor the groin vaults from before are solely made of stone. They require a lot of _cement_. Like the previous technological improvements, cement already existed before the Romans: It was made through a process that took limestone, changed its chemistry to reshape it, and then reconverted it into limestone. Yes, cement used to be basically limestone: Both were calcium carbonate, CaCO3. When heated, CO2 is released and what is left is quicklime, CaO. Add water, it becomes slaked lime Ca(OH)2. Now wait for long enough, and it will capture some CO2 from the air and eject the water, creating CaCO3 again. The problem with this is that it takes a long time, and you can't have much water around or your slaked lime will not dry out. If you add sand to the cement, you get mortar. Add stones to the mortar, and you get concrete. Previous civilizations used mortar and concrete, but not as much as the Romans, because their version was weaker for building, longer to set, and couldn't be done around water. The Romans were lucky to discover that mixing the lime with volcanic ash (_pozzolana_ , very common __ around Naples, added silicon and aluminium to the mix) made a much stronger cement that could even set under water, and became stronger with time rather than weaker. The Romans mixed elements in such a way that cement could actually heal over time, something we've only recently understood. > _There is a kind of powder which from natural causes produces astonishing results. It is found_[...]_about Mt. Vesuvius. This substance, when mixed with lime and rubble, not only lends strength to buildings of other kinds, but even when piers of it are constructed in the sea, they set hard under water._ --Vitruvius, De Architectura, Book 2¹ Only with this superglue could the Romans make the dome and the other types of buildings we've seen. This is all Roman concrete: Roman cement with sand and aggregate (e.g. sand, stone, pieces of brick…) that serves as a skeleton. The mix was lighter at the top, with pumice stone (volcanic stone with bubbles in it) and became heavier and heavier as it went down, closer to the walls. The dome width is also thicker towards the bottom. Note the squares throughout: They are coffers, which enabled reduction of material (and hence weight). At the top, a hole further lightened the structure, while also allowing for a beautiful play of light and shadow. Small holes in the floor allow for drainage. You really see the progress when you compare it with what came before: _EtruscanTomb of Montagnola. Note the corveled arch (above) and dome (below) instead of voussoir. At the bottom of the dome, the stones were cut and stacked nicely, but the more it went up and curved, the harder it was for the builders to find the right stones, and the more uneven it became. This worked so poorly in comparison to Roman dome construction that a column in the middle was required to support it, and it yielded a very tiny dome! Yes this was very stable (still stands to this day!) Source. More here._ ### Wooden Formwork But concrete is a bit liquid; you can't just place it in a specific shape. It needs _formwork : _a frame to hold it until it hardens. Romans used wooden molds, just as we do today, and poured the concrete inside. They used it for everything, from domes to walls to columns. With the discoveries of voussoir arches, groin vaults, domes, and cement, building became much easier. Romans didn't need to source good stone and even better craftsmen. They could simply crush and transport limestone and brick, mix them with sand, aggregate, and water, pour the result into wooden formwork, and erect their buildings. This means construction became much cheaper and easier than in earlier days, giving Romans a solution to their second problem, which meant they could build many more buildings across the empire. Of course, these two things go together: It's not like the Romans figured all this out and then started to build. Rather, all this building allowed them to iterate and figure out better and better construction techniques. # Civic Buildings Romans built aqueducts to bring drinking water to their cities. Once they could build huge indoor spaces, they could bring water to indoor buildings, and baths became possible. | | ---|---|--- _Diocletian 's Baths were situated in an indoor space with huge voussoir arches and groin vaults, with water brought from the Aqua Marcia aqueduct. Their transformation into the Basilica of St. Mary of the Angels and the Martyrs saved the baths from destruction, so the site can now be visited as a church._ # Indoor Architecture Once you start bringing water indoors for baths, you might as well start bringing water to other buildings, including private ones. This requires channeling water through small tubes in walls. But with what type of material? As we saw in _How Ancient Metals Started Civilization_ , Romans had way too much lead from their silver mining, and lead is easy to work with, so they built their plumbing with it. _Plumbing_ comes from _plumbum_ , Latin for lead. _Roman lead pipe_ Moving water requires pressure, so Romans built water towers to store the aqueduct water. Water is generally cold, though, so Romans had to warm it up. They didn't just face the challenge of water management, but heat management, too. For that, they needed cauldrons, some fuel, chimneys, all incorporated into the building. _Source_ And once they did it for the communal baths, they began incorporating it into housing, starting with the rich.² | | ---|---|--- _Hypocaust heating system, source1 and 2._ And this is how Roman architecture solved their problems: * Huge enclosed spaces thanks to arches, vaults, domes, cement * The ability to build them at scale thanks to the easier processing of limestone and clay, the standardization of shapes, and the use of wooden formwork for pouring concrete * The ability to provide services like running water, drainage, and heating at scale, by applying the learnings from construction of many public buildings to that of private homes, and by taking advantage of the critically wide availability of lead. Share What's striking about Roman architecture is that a lot of it was extremely practical: They had convenience problems and they wanted to solve them, so they developed the corresponding technology. I always heard that Rome was a civilization of engineers rather than philosophers, but this was the first time it gelled for me. They had the benefit of an empire that kept expanding, so more and more buildings to build meant much more experience through iteration, and more technological development. Most other ancient architectures stemmed from a cultural desire that translated into the technological progress that enabled it. We'll see those in the next few articles, where we cover the Byzantine, Romanesque, and Gothic architecture. After that, we'll examine Renaissance, Baroque, Rococo, Neoclassical, Historicist, Revivalist, Modernist, Contemporary, etc. All, to understand how architecture got where it has, and how we can improve it. Upgrade to paid 1 _The rest of the quote is also super interesting: Vitruvius was trying to understand chemically how this could happen._ 2 _My guess is: If the Roman Empire had continued expanding, some of these technologies would have become cheaper and cheaper, and enter the homes of poorer people._ You're currently a free subscriber to Uncharted Territories. For the full experience, upgrade your subscription. Upgrade to paid --- | | | Like --- | | Comment --- | | Restack --- (C) 2026 Tomas Pueyo 548 Market Street PMB 72296, San Francisco, CA 94104 Unsubscribe